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Solo works

Fantasia II (2025)

(12') for harp

Premiere: Helsinki Harp Festival, February 6, 2026, Musiikkitalo, Helsinki, Päivi Severeide, harp

Commissioned by: Päivi Severeide

Fantasia II for solo harp is related to Fantasia for harpsichord, which I wrote in 2021. What both works have in common musically is a sense of adventure. The title keeps listereners free from references to anything spesific. Each listener can create their own fantasy and adventure of mind during this piece. In a technical sense, I especially wanted to explore staccato playing on the harp which enriches textures and is not very often heard in harp repertoire. 

Fantasia_II

Night Owl (2025)

(7') for piano

Premiere: Tampere Biennale, Tampere Hall April 16, 2026. Ville Hautakangas, piano

Commissioned by: Ville Hautakangas

Audio

Night Owl is commissioned by, written for and dedicated to pianist Ville Hautakangas. The idea of this commission was to compose a nocturne for solo piano. I decided to approach this idea from the perspective of insomnia. This piece is about a person who stays awake at nights and can't sleep because of too active thoughts which constantly come and go. The nighttime is not only quiet and peaceful as it is usually in nocturnal music of the 19th century. It can also be distressing. But it also holds the potential for new ideas - sometimes pure excitement keeps you up. As the night deepens, different moods vary but intense thoughts just can't leave you alone. Finally in the end of the composition, a person finds a solution, gets some kind of peace of mind and falls asleep. 

Night_Owl
Fantasia

Fantasia (2021)

(12') for harpsichord

Commissioned by: The Pirkanmaa Regional Fund of the Finnish Cultural Foundation

Premiere: The 60th anniversary of The Pirkanmaa Regional Fund of the Finnish Cultural Foundation, Funkkistalo Sastamala, October 25 2021. Jouko Laivuori, harpsichord

Sateisen päivän elegia

Sateisen päivän elegia (Rainy Day Elegy) (2020)

(3 ') for guitar

Commissioned by: Kai Nieminen

Premiere: Spaces - Ilkka Hammo's composition concert, Pirkanmaa Music Institute, Tampere, September 25, 2022. Olli Hirvanen, kitara

 

Guitarist-composer Kai Nieminen asked me for a short elegiac piece for solo guitar some years before this work was completed. This idea was simmering in my mind until the opportunity opened up in the fall of 2020. The harmonious material of the Rainy Day Elegy was developed when I was composing a duo piece And when it rains…. So these works are like cousins ​​to each other. I finally wrote Rainy Day Elegy from one sitting on a rainy day on November 2, 2020. It is, as its name implies, a melancholic elegy, in which melodic and choral gestures inevitably descend downwards, accompanied by a note b as a pedal point.

"True to its name, Ilkka Hammo’s Sateisen päivän elegia (Elegy of a rainy day, 2020) for guitar solo comes off as quasi-cinematic tableau, based on musical material from a piece for flute and guitar, completed earlier on that year. Written in a single day in November, Sateisen päivän elegia unravels in appealingly unhurried manner, giving rise to detailed sonorous meditation, one of spellbinding allure. Performed with airy intensity by Kumela, the piece was a gem."

(Jari Kallio, ”AIM - Adventure in Music” August 14, 2023)

Prelude No 1uruille

Prelude No. 1 (2019)

(4 ') for organ

Premiere: Tampering Festival, Tampere August 22, 2019. Esa Toivola, organ

Commissioned by: Tampering Society

Audio

 

This prelude is the first work I have written for organ. I got the definitive enthusiasm for composing the work in January 2019 from an organ seminar held by Esa Toivola, where he presented the possibilities of the organ at Tampere Cathedral. The main theme of six notes, which will be introduced right at the first beat, has its roots in my composition work from year 2018. I was composing my orchestral work On the Horizon, which also produced additional material, e.g. a sketch on this six-note theme and its choral treatment. The organ's orchestral possibilities are especially evident at the end of the Prelude in the form of a massive chorale.

Rajalla

Rajalla (On the Boundary) (2016)

(11 ') for guitar

Premiere: Concert of the KAKAKIKO guitar festival, Helsinki, December 1, 2016. Aleksi Rajala, guitar

Commissioned by: Aleksi Rajala

Video

 

Rajalla (On the Boundary) has a special meaning to me in the sense that it is my first solo work for my own instrument guitar. The threshold for writing the work was high for a long time precisely because of the familiarity of the instrument. Thousands of practice hours with guitar took my thoughts in the early stages of the work primarily to player’s perspective whenever I thought of guitar. Finding a composer’s mindset was a challenge particularly in composing a solo guitar work for a long time. After crossing the threshold as the work progressed, my experience as a guitarist was of considerable benefit.

 

Rajalla (On the Boundary) is composed for Aleksi Rajala. The title refers primarily to Aleksi, but it can also refer to being on different borders. During the composing process, I often found myself in the middle ground between an improvising guitarist and a composer. Many ideas were born precisely through practical improvisation, where intuition and physical touch to the instrument dictated the nature of the ideas. On the other hand, I composed a considerable amount of the piece without guitar. At times, it even felt detrimental to try all the compositional ideas right away on the guitar because I felt it limited my imagination and analytical thinking. Finding a balance and navigating the interfaces of player-composer identities were the most important challenges in composing the work.

 

The metaphor of moving on both sides of the border also refers to the textures of the work. There is a lot of percussive energy in the piece, but also contemplative lyricism as well as balancing on the border of these extremes.

Liito-orava

Liito-orava (Siberian Flying Squirrel) (2016)

(2 ') for guitar

Premiere: Helsinki November 26, 2016. Petri Kumela, guitar

Published on the album Petri Kumela: Small Creatures

Commissioned by: Petri Kumela

Audio

Grace

Grace (2011)

(6 ') for clarinet

Premiere: Concert of the Ears Open Society, Helsinki on May 29, 2011. Lauri Vaahtoranta, clarinet

© 2021 by Pianovilho.com

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